TASCAM: DR-100 portable solid-state recorder

REVIEWED BY Dana Gumbiner


TASCAM has a new entry into the increasingly crowded handheld recorder market -the DR-100. This new unit has a number of clear advantages over TASCAM's less expensive (and slightly less bulky) DR-07 and DR-1. First impressions? This is a solid, tough-looking field recorder with metal casing which adds to its substantial heft; this immediately sets it apart from the plastic, toy-like feel of some of the competition. The DR-100 is larger than the Zoom H2 (Tape Op #63) or the M-Audio MicroTrack II, but it still fits the hand comfortably, and its controls and backlit screen all make perfect ergonomic sense. TASCAM includes a fair amount of quality extras in the box: a rechargeable Li-ion battery (more on that in a bit), a wireless/wired remote, 2 GB SD card, mini-USB to USB cable for PC or Mac drag-and-drop file transfer, windscreen, and a nicely padded neoprene tote. There's really no setup needed, as the unit is ready to go out of the box. The on-screen UI is super easy to navigate, and I found myself not really needing the manual for basic functionality. I really appreciate dedicated controls in hardware like this, and the DR-100 is in no short supply; almost every function has a corresponding switch or button. This cuts down on menu-scrolling and lets the user jump right into recording. Boot time is approximately 3-4 seconds, so on-the-spot capture is quick. Here are a few of the things I love and which give the unit a future-proof profile. Phantom-powered, stereo XLR mic inputs with 60 dB of gain alongside 3.5 mm line-level inputs. USB charging of the Li-ion battery. Additional AA battery power with intelligent, pause-free switching between the two power sources -over 5 hours of recording time! Direct to MP3 or WAV recording all the way up to 24-bit, 96 kHz. Discrete stereo omni and stereo cardioid microphones -four mics! Very low noise floor and A/D conversion that sounds great. Hardware switches for the filter and limiter/compression options. And a big fat record button with LED feedback! My gripes? Minor stuff. The remote when used wirelessly has very limited range and is very directional; if it's off-axis with the recorder at all, it's difficult to engage. Fortunately, an adapter to make it wired is included. The Li-ion battery pack seems to be proprietary -again, not a big deal as TASCAM has always been good about parts supply. But spares will run you upwards of $50, so it's fortunate that the DR-100 will also run on AAs. Also, the headphone preamp seemed a little noisy in my testing at higher volumes. Finally, I'm convinced that a SMPTE timecode option would've been a big plus on such an otherwise versatile recorder. (SMPTE is available on TASCAM's $999 HD-P2, the lowest cost recorder on the market with timecode.) All in all, this is a pro handheld field recorder that is built to last, sounds great, and has the benefit of solid ergonomic and industrial design. I'm sold! My other handheld's days might be numbered

Tape Op is a bi-monthly magazine devoted to the art of record making.

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