Ever since Rostam Batmanglij burst onto the scene as a founding member of Vampire Weekend, he’s been known for his penchant for baroque and leftfield sounds in pop-leaning indie music. Fresh out of college, he handled production for the first three Vampire Weekend albums (Vampire Weekend, Contra, Modern Vampires of the City) and was pivotal in shaping their expansive and propulsive sound. Post-VW, he set up shop in L.A. and has carved a path as a...
Interviews
Floating Points
By John Baccigaluppi
Although I had heard of Floating Points, the project of London-based musician Sam Shepherd, it was the 2021 album Promises – made in collaboration with Pharoah Sanders and the London Symphony Orchestra – that captured my attention, and I wrote about it in the End Rant ("One Degree") of Tape Op#160. Through mutual friends, Stella Mozgawa [Tape Op#169] and Suzanne Ciani [#148], I met Sam a few years ago, and we ended up doing some cycling and surfing together. In April of this year, Sam was back in town and working on a film soundtrack at my Panoramic House Studio during the day and performing Mere Mortals at night with the San Francisco Ballet (eleven shows over nine days) using a large modular Buchla 200 system with a 70-piece orchestra. We managed to meet up for a chat on a Saturday morning in San Francisco, a few hours before a matinee performance with the ballet.