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Jan/Feb 2000

Welcome to issue #15 of Tape Op.

Hello and Welcome to Tape Op number 15!

Kick off yer shoes and hang out a bit, would ya? Alright. Boy, a lot of crazy stuff has happened since the last issue... The fact that we're going to be printing up a new mag every two months might interest you a bit. Look for a new issue around March 15th! I just hope we can keep up with the pace. I went to New York several times in the Fall. I was on panels for CMJ and the Independent Music Forum where I got to spout off about using whatever gear you can get your hands on to the utmost and such — and I got to be on some other panel for a bunch of suits where I pretended to know about MP3s. But the killer adventure was when John (you know — our publisher) and I went to the AES [Audio Engineering Society] and met with a bunch of gear companies and tried to convince them to run ads in our wonderful little magazine. That's right, your humble editor has to go do stuff like this. Anyway, it was actually a treat to check out new gear (Tascam has a stand-alone 24 track hard drive for under $4000!?) and meet some of the people who build this cool audio stuff (like Bruce Bartlett, John Hardy, David Bock, Evanna Manley, Doug Fearn, Brent Averill and others) but I also had a funny revelation. I was bouncing around in the back of Geoff Daking's van with John and fellow engineers Darron Burke and Dave Ackerman after an amazing Italian meal up in the Bronx, when it hit me: We are the new legends in the making. A lot of our readers (and writers) are the ones who are (and will be) making the amazing records. We can gush all day over the recording achievements of Brian Eno, George Martin, Roy Thomas Baker and others but we can create our own legendary work now! Everything has already been done? Bullshit! Let's go for it!

Hit record now!

Larry Crane, editor


IN THIS ISSUE

Steve Malkmus
Jan 15, 2000 NO. 15 Interview

Steve Malkmus: of Pavement

Pavement. The band that sets many an indie rock heart aflutter. Well, they no longer exist now, having performed their last show in London last fall. We chatted extensively with Pavement's...

Gary Young
Jan 15, 2000 NO. 15 Interview

Gary Young: Pavement's Drummer & Engineer

Gary Young was the flamboyant original drummer for Pavement. He was also the engineer for all their recordings up through the Watery, Domestic CD. He still resides in Stockton, California, and runs...

DJ Spooky
Jan 15, 2000 NO. 15 Interview

DJ Spooky: Defying Expectations

Listening to DJ Spooky's 1996 debut Songs Of A Dead Dreamer it's clear why his nickname is "That Subliminal Kid" — it's because his music plays like the soundtrack to your...

Toe Rag
Jan 16, 2000 NO. 15 Interview

Toe Rag: London's fab studio

Let's get one thing out of the way first: I love old technology. If I had the space, I'd have a workshop full of old radios, open reel tape and wire recorders, valve amps, old keyboards and...

Terrarium
Jan 15, 2000 NO. 15 Interview

Terrarium: Recording in Minneapolis

Hey, we've never covered any studios in the Minneapolis area, so here we go. Plus, usual interviews seem to take the format of history and projects done; this one covers some lively and useful...

Steve Reich
Jan 15, 2000 NO. 15 Interview

Steve Reich: Less is more

Steve Reich is a composer of music that gets loosely lumped into the classical genre. But make no mistake-his music will never be mistaken for Mozart, Beethoven or Bach. At age 62, Steve Reich's...

Ken Nordine
Jan 15, 2000 NO. 15 Interview

Ken Nordine: Father of "Word Jazz"

Somehow, somewhere, somewhen, someone shared with me the sonic sensibilities of Ken Nordine. I was delighted with his word play (or were the words playing with him?), his deep, clear voice (an...

John Hardy
Jan 15, 2000 NO. 15 Interview

John Hardy: Builder of mic preamps

John Hardy runs The John Hardy Company out of the basement of an old and pretty house in Evanston, a few blocks north of the Chicago limits. His M-1 preamp uses a transformer-based, discrete...