In 2006 the world lost Arif Mardin, a classic (and classy) record producer and arranger who'd originally worked at Atlantic Records for over 30 years, producing hits for artists like The Bee Gees, Aretha Franklin, Bette Midler, Hall & Oates, and later working with singers like Norah Jones and Jewel. Recently the Grammy nominated documentary The Greatest Ears in Town: The Arif Mardin Story was released on DVD, and it's a loving tribute to the man and the producer. While I was watching this film I began to notice the presence of Joe Mardin, Arif's son, who acted as co-director (with Doug Biro), producer, and sometimes interviewer for the film. He even co-mixed the soundtrack with Arif Mardin's longtime engineer, Michael O'Reilly. I was curious what Joe's life was like growing up in the Mardin family, and how he'd also followed a career of music production, engineering, writing, arranging, conducting, and even drumming. I visited Joe at his Manhattan-based NuNoise Studio for a journey into remembering his father's career and how it has affected his own life.
Joe Mardin (bonus): on his Dad, Arif Mardin
BY Larry Crane | PHOTOGRAPHS BY Julie Mardin

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Issue #168 · Aug 2025
Michael Andrews
By Larry Crane
I'm not even sure of when or how we met, but I've known film composer and musician/producer Michael Andrews quite a while. We co-interviewed John Stephens, the brains behind the Stephens Electronics tape decks, in Tape Op#54 nearly 20 years ago, and have kept in touch since then....